You don't get many editorials about your so I would think you would be a bit more interested |
One of the more
common complaints about Stella c3 bu was that it was a show that didn't
know what it wanted to be. I think part of the problem
is that it wasn't really a conventional anime show or even a
conventional experimental anime show (the idea of what passes for a
conventional experimental show is it's own
topic that I will cover in the future). However it did something so
very right in the advancement of gender equality that I think that it
deserves mention.
One
of the main problems with discussions of gender in anime or media in
general is
that unless some art piece crosses one of a few rather set lines in
which interested parties will usually usually offer their almost canned
outrage but other than that the wider idea of gender is generally left
unexamined and thus little if any real progress is made or understanding
is reached and most of our predispositions remain unexamined.
Even
through there is no real villains in c3bu consider how female villains
are often treated in media. Most often they are given the angst ridden
back stories and easily end up joining the hero in the end. There is
even a trope associated with this the high heel face turn (the link is here). While at
first may look like a good thing, usually under some guise of violence
against women is wrong or something, but in fact it demeans women by
making them look as through they are incapable of true moral
choice. What is even worse is that many so called feminists will ignore
this because it grants them a type of leniecy for misdeeds.
How
does this all connect to c3bu? First of all think of the show's nominal
villain, Rin. While at first she appears to be a cardboard jerk and is
later revealed to be a deeper character the redemption tropes do not
apply. The most obvious reason is that she never changes moral
positions, her positions are simply shown in a different light. This
gives her a sense of dignity that the high heel face turn never could.
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